Not the White Stripes

I was at a party last night. There was a band there doing filming some clips for their newest video.


“Don’t compare them to the White Stripes” mumbles my friend to me, passing the words over his half-empty bottle of Hahn Superdry. “They hate it. They look like them,” (no kidding - long-haired skinny guy singer / guitarist in tight pants and and shorter, girl drummer with noticeable boobs) “but they sound nothing like them.”


The song starts. It’s definitely the epitome of garage rock; they’re playing in a friend’s kitchen that’s covered in Bob Dylan and Joy Division posters with “Echo and the Bunnymen” heckles written on the wall. There are 2 lights covered in coloured paper. People are crowded out the door. Singer has 5 pedals on a tray in front of him and the drummer has a broken Zildjian crash. The are 3 amps in the room and the mic is taped to its stand.


They start to play. It’s grimy, 12-bar-blues derived rock with a yelping, growling vocal and simple but driving kick beat. The songs are snappy and powerful and the singer throws himself over his skinny legs to thrash out some gnarly chords when the lyrics end.


I turn to my friend. “Dude, they sound EXACTLY like the White Stripes.”


They play a couple more songs crossing the spirit and structures of Hello Operator and Jack the Ripper, then the amp dies and the show is announced as being over with a humble smile.


Many drinks later I chat to the drummer who tells me about the strangess of seeing her singer transformed from a nobody on the street to a teenager’s musical idol on stage, and I observe the tender, loving but not-quite-togetherness that they have for each other.


Moral: If it looks like the White Stripes, sounds like the White Stripes, and tastes like the White Stripes, then no matter how much they may protest, it is the White Stripes.

Soundwave @ Eastern Creek Raceway, Sydney, Feb 21st 2010

My complete inability to say no to anything for fear of missing out on something means that Soundwave is my second festival of this weekend; having crashed home from Playground Weekender at 4am I’m getting up at 9 for Sydney’s best rock event. Ugh.

FUCKING HOT. Photo credit: Callixtus

FUCKING HOT. Photo credit: Callixtus

Apparently every single rock kid in New South Wales has decided to gather at the Raceway today too. Fun game: count the HIM tattoos / sideways fringes / Faith No More t shirts. It can keep you going all day long.


There’s only one problem: Soundwave festival is being held in the middle of the Sahara desert this year. It’s almost literally hotter than the fucking sun down here. It’s like an every-man-for-himself disaster movie: the city has fallen down around us leaving no shade, (let me say that again: in the 40 degree heat there’s NO FUCKING SHADE) and no real sources of water, just emo kids protected only by the amount of hairspray on their heads wandering around aimlessly with no idea how to escape. Desperate teens line for miles for one piddly and ineffectual water tap, trying to catch the liquid in the few nanoseconds between it leaving the pipe and evaporating instantly into the burning atmosphere, and failing to conceal their dejection when all they get is a slighty damper forehead.

It's ok, its too fucking hot anyway.                     Photo credit: Callixtus

It's ok, its too fucking hot anyway. Photo credit: Callixtus

People can’t drink water quick enough, and dragging themselves from the floor they crawl to the drinks cooler to pull away the workers and grab armfuls of ice to bathe their aching skin with. You can almost see the skin cancer growing.


Apart from that it’s pretty decent. Plus the ice thing has the pleasant side effect of causing hot girls to walk around with wet shirts. No one’s complaining there.


The site is way massive, and heaps fuller than Playground Weekender. Just looking at the pit in front of the stage for Taking Back Sunday makes me feel a little ill. Last time I saw TBS the singer wasn’t the epic vocal talent I remembered him to be, and this seems to have got better but he isn’t back to his 2004 best. Their latest album has totally slipped me by and although they’re alright I’ve no compulsion to squeeze myself into a space slightly smaller than the volume of my body and wait until I actually melt into a small puddle to be nearer to the stage for them. Perhaps I will have to resign them to my emo teen-hood; they can sit next to Funeral For A Friend.


Alexisonfire are always amazing but I’m a mile away trying to buy a drink. Yeah sure, all their fans whinged about Old Cardinals… but live they’re a force to be reckoned with. I don’t think George realized though that his usual outfit of knee-length cut off jeans isn’t ironic here, its actually fashionable. As ever Dallas Green’s voice is sick as. Thankfully he doesn’t play any pussy City & Colour songs; there’s a time and a place, and this is not it.

The elusive Daryl Palumbo. Photo credit: Callixtus

The elusive Daryl Palumbo. Photo credit: Callixtus

Most of the bands here I’ve seen before, but Glassjaw are one of those I thought was always going to be just out of reach. Thanks to Daryl Palumbo’s ill health, they don’t often tour outside America and were on hiatus for a long long while. Even better, as they play the sun dips down behind their stage (if you place yourself correctly and refuse to move, which I did) and casts the first shadow of the day. He’s well small in real life, but hearing Ape Dos Mil and Tip Your Bartender in all their living glory wipes that realization from my mind. It seems like they were (and are) the original post-hardcore; still no one sounds like them. And I guess Head Automatica’s Popaganda already told us, but Palumbo has a sense of humour and little ego. Highlight of the weekend by far.


Reel Big Fish are Reel Big Fish; seen em once, seen em a million times. They never change, apart from the singer looking increasingly like Mark Lamaar from his Shooting Stars days, but they’re fun enough and convince me to take part in the hot hot bouncy action at the front.


I manage to avoid Placebo being cunty as usual, and catch Jane’s Addiction as the sun is going down. They play brilliantly enough, but Perry Farrell seems to have become a bit of a parody of himself these days. Everything he says is about fucking people in that slow “eeeeeeeehhhhhhhh yes dahhhhhhling I have sex with girls AND boys dahhhhling and isn’t it soooo edgaaay?” sort of voice. It doesn’t work for 3 reasons:

a) he’s not English, and you have to be English to pull off that tone,

b) this crowd isn’t Motley Crue’s crowd, it’s Paramore’s crowd

c) dude is old. It’s psychically impossible to be a sexy rock star at 50, unless you’re David Bowie, and he’s only sexy because he isn’t trying, and because obviously he can bend the laws of physics (just watch that hand full of balls in Labyrinth, double entendre very much intended).


Remember Nothing’s Shocking, Perry? You missed the boat. We grew up killing virtual people for fun and paying strippers to flash us on Duke Nukem 3D. Saying fuck isn’t what it used to be. And Dave Navarro; cover it up man.


Photo credit: Callixtus

Photo credit: Callixtus

There was more shit on but my brain melted, which is caused as much by Faith No More playing lounge music as much as the heat. As we file out of the gates they play Epic, which seems a fitting theme tune as I stagger home and finally have clothes-on sex with my bed.

Playground Weekender @ Wiseman’s Ferry, Feb 18-21 2010

The main stage. Photo credit: Callixtus

The main stage. Photo credit: Callixtus

I had a retarded weekend at this random festival that I only went to because I got free tickets, but for whatever reason words won’t come out of my fingers in any decent way about it, despite 2 weeks of trying. So here’s a scatty summary:

Camping in a beautiful spot at Wiseman’s Ferry
Sun
Free drugs
Manchoir
Gui Buratto
English people
OK Go
Prins Thomas (fantastic)
Pool
River
Hot
Free ice cream
Steve Lawler
Awesome dress up
Expensive Southern Comfort drinks
Crazy Irish folk
Frisbee
Live art
Tantric Turtle Café

Photo credit: Callixtus

Photo credit: Callixtus

Basically, a lot of the acts weren’t great and there wasn’t much to do in the day apart from get drunk and go in the pool, but the setting was great, it was decorated brilliantly, everyone was happy, the sound was good, the vibe was wicked and everyone had a good time. Go.

Good advice all round. Photo credit: Callixtus

Good advice all round. Photo credit: Callixtus

Photo credit: Callixtus

Photo credit: Callixtus

The best dress up ever....fact. Photo credit: Callixtus

The best dress up ever....fact. Photo credit: Callixtus

Haddock

Bleeding Ears Sick Playlists # 1 - Summer

So its pretty hot in Sydney right now. Not crazy hot, thanks to a week of very welcome rain, but hovering nicely around 30 degrees in that pleasant way that makes you smile when you walk out of the house.


I’m not Australian, so this is novel for me. I’m used to two snatched weeks’ worth of moderate warmth scattered amongst three months of dreary overcast days. This change in situations makes me happy.


Happy summer feelings need happy summer music, so here’s the first of Bleeding Ears’ Sick Playlists, a series of suggested songs organised into a fucking shit-hot order. Yeah you have to make it up yourself in iTunes (other music-playing software is available) but we’ve done all the leg work so stop being so lazy. Anyway, they’re well worth the effort - and this one’s for Summer.


(Also, I just watched (500) Days of Summer and now am even more totally and utterly in love with Zooey Deschanel, even when she’s being a douche. So this one really is for Summer.)


Summer


1. Seaside - Kooks
2. Colorful Life - Cajun Dance Party
3. La Breeze - Simian
4. I Chase the Devil - Max Romeo
5. Country House - Blur
6. Sunny Afternoon - Kinks
7. Spandex Man - Mr Scruff
8. Surfin’ USA - the Beach Boys
9. Bohemian Like You - the Dandy Warhols
10. Against All Odds (feat. Kano) - Chase & Status
11. Play That Funky Music - Wild Cherry
12. Peaches (feat Rodney P and Terry Hall) - Dub Pistols
13. Kicking Pigeons - [spunge]
14. Island in the Sun - Weezer
15. Middle of Nowhere - Hot Hot Heat
16. Connected - Stereo MCs
17. Just One Second (Apex Remix) - London Elektricity
18. Summer in the City - Butthole Surfers
19. Little Yellow Spider - Devendra Banhart
20. Mr E’s Beautiful Blues - Eels


Enjoy!
Haddock

It’s Not Easy Being Steve

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Field Day @ the Domain, Sydney, Jan 1 2010

Sydney does one thing unbelievably well: New Year’s Eve.


They’re sort of like a typecast actor in that way; everyone knows them for it, so they’re slightly bitter about it. They don’t stop playing up to it though, because that might mean they lose their identity. They just try to be famous for other things instead. They try to be famous for festivals.


Field Day is a day-long festival (which doesn’t actually constitute a festival if you ask me, but you didn’t) held in the heart of Sydney on a day when anyone in their right mind is at home nursing a bad head over a plate of fried eggs and self-loathing. We’re not in our right minds though, so we’re at Field Day.


We’re not in our right minds because we have just spent the most retarded New Year’s Eve possible, and almost missed what Sydney is so famous for altogether. It seemed a good idea at the time, but doing acid at 2pm and pills half an hour later, then drinking for 8 hours and having more than a small amount of weed apparently doesn’t result in a clear head and a willingness to climb an abandoned building to watch the fireworks like we hoped. Instead, it results in thinking you’re stuck to the living room floor, freaking out some visitors, a bit of crying, random but very persistent horniness, a house that won’t stop moving, sitting in kitchen cupboards, admiring a painting for several hours and not wanting to move from either your bed or the back yard ever again.


I started to come round a bit at 10.30, at which point my clean friends had disappeared to Observatory Hill and my fellow fucked-up idiots were either trying to cast shadows on each other whilst sitting amongst a throne of empty beer bottles, or trying to have ‘a quiet moment’ in their room. I suddenly felt the cold hand of the comedown monster grip my spine: I was going to miss the fireworks on my first and possibly only New Year’s Eve in Sydney. I would forever regret this night. Fuck it, I was going.


Bed Friend decided I couldn’t go alone, and with a badly hidden reluctance but genuine concern for my safety decided to come with. We attempted to explain to Back Yard Boys that we were leaving our keys with them in case they wanted to leave, then gave up and left them with some drum and bass and their own heaving realities. We got 2 minutes down the road and they called us, sounding afraid; they were leaving too.


We managed to go back, get them, convince them to come with us across the city rather than wander around on their own, and then I piled my three cohorts onto a train, gathering them from almost crying at the ticket machine and making out with strangers on the platform. Unfortunately a rather large lady on some of her own drugs sat near us, and the Back Yard Boys both stared silently in a terrified manner at her while she emitted an air of social degradation and quiet aggression. It occurred to me that bringing people tripping on acid across Sydney on the busiest night of the year to watch explosions and many colours might not have been my best idea, especially when they were somewhat unwilling to start with.


I realize now that this has turned into a review of my new year’s eve rather than my new year’s day, but bear with me; all will be explained.


Amazingly Bed Friend remembered her way from Wynyard to Observatory Hill, despite me not believing so until we joined the thousands of others at the top at 11.30pm. I’d had to create a ‘safe bubble’ and ‘Team Salmon’ in order to keep everyone from the freak outs that were stalking us all so stealthily, but when we nestled in amongst the empty beer bottles and scary kids at such a great vantage point, it was all worthwhile.


I don’t need to tell you how good the fireworks were, you know that already. I probably do need to tell you that an hour and a half’s walk home and a facemelter of a joint later, two angry, drunk and previously lost-for-three-hours-in-the-city-friends turned up, one of whom went to sleep in my bed, threatening quite seriously to kill me if I attempted to stop her.


At 4 am I laid down with funny things still going on behind my eyes. 5 hours later Bed Friend wandered into my room with someone on the phone and a reminder that we were meant to go to Field Day and do it all again.


So here we find ourselves, tired, overwhelmed and tripping again from the giant coffees that we’ve just had to straighten ourselves out. We wander in to the Domain just as I am re-sweating and feeling like I’d have to sit down. I am ready for the Presets and 2manyDJs, some sick veggie food and probably some sunburn.


What I get is distinctly different. It seems that the Domain is entirely populated by cunts.


These are specific cunts, however. Anyone who lives or has lived in Australia is au fait with their inexplicably awful fashions. 99% of the people at Field Day appear to live their lives according to these rules. A couple of years ago it was neon shorts and singlets; this year it seems to be jeans cut off exactly at the knee and singlets with oversize neck holes for guys, miniscule demin shorts over ugly and intensely unflattering swimsuits or just plain lingerie for girls. For some of the most attractive people on the planet they sure do try their best to look repulsive.


Of course, all the girls have the uniform long and partly pinned up, backcombed hair in the “this is my bed hair but in fact this takes me 3 hours to do every morning and costs $100 in products” style that fools fucking no one.


Every single attendee appears to be on pills, but they aren’t the huggy, lovey, “oh my god you look so good in that top let’s be best friends and touch each other and talk about the world” pill heads that I love. Oh no. They are all, without a doubt (through my cynical, scared eyes) obnoxious fashionistas, all in their cruel little gang, trying desperately to have a good time against the pathetic reality of their sad little existences. I feel like my mum.


We try to eat (in fact, we succeed). We try to watch the movie on the big screen, which may or may not be about a variety of mental subjects from genitals to mutilation (words that should never be that close to meeting), depending on whether you trust my senses at this point. We even try to join in, resulting in the most despondent dancing you’ve ever seen. I have never in my life felt so out of place, so aggravated, so depressed to be amongst people my own age. My buddy feels the same. The potential brilliance of the music is being severely overshadowed by those trying to listen to it.


We end up at the furthest possible point from anyone, sat on a bench at the edge of the site facing away from the action, trying to decide with brains that won’t work at all whether or not to leave. We paid $100 for the tickets. We want to see the Presets, We’re just paranoid and it’ll probably go in an hour. We can’t leave with a passback til 5; its only 3 now, and leaving means not getting back in. We would have to wait 4 hours for the Presets. It’s all or nothing.


Suddenly a clear thought stabs through my foggy headspace. Are we having a good time? No. Then let’s fucking leave.


We meander out of that hellish place, leaving the worst people in Sydney behind us. We buy some more food, slowly trudge back home, and curl up quietly watching a movie. And we couldn’t be happier.


I apologise that this review is not what you expected. That’s life.


Haddock

Introducing…..Steve

Dizzee Rascal – Tongue N’ Cheek

dizze-rascal-tongue-n-cheek
Dizzee Rascal’s detractors, and those who claim to be hardcore fans, will no doubt peg this album as the last nail in his the coffin of his credibility, citing the Calvin Harris collaboration and his spiraling fame as evidence.


In doing this they’ll be missing the point entirely, as people often do when they’re caught up in hatred, or love for that matter. Dizzee Rascal has always been what they might call a ‘sell out’. What’s Fix Up Look Sharp is not a pop hit at heart? In fact, grime in general is about 2 things: exploiting a London upbringing and escaping that same thing. Dizzee’s doing that.


At 24, the man born Dylan Mills is without a doubt grime’s biggest star. A tutelage and subsequent spat with Godfather of Grime Wiley set him on the parallel roads of success and stardom, and a Mercury Prize-winning debut album set him apart from the pack. 4 studio releases later and Dizzee Rascal is enjoying success like he could never have imagined: not only is he one of the few UK hip hop artists to achieve real crossover success (being embraced by both the electro and indie-rock circles, admittedly at the expense of some of his street cred) but he’s become something of an unlikely national treasure, even being asked to appear on the BBC’s flagship political show Newsnight.


Beyond the hilarity of the phrase “Mr Rascal”, some ‘is-he-joking-or-is-he-stupid” comments and Jeremy Paxman’s evident bemusement at the whole scenario, this appearance showed a positive, likable guy; a far cry from the cocksure cuntishness of comparable US stars.


It’s this abundance of personality that keeps Dizzee’s music so brilliant. I’ll be the first to admit that I only started listening to Boy In Da Corner for the comedy value, but slowly the genius of the Bow boy started to permeate my prejudice, and catching one of his incendiary Leeds Festival sets placed me firmly in the fan camp.


It’s not that his stuff is perfect. It’s very much flawed, especially the new album. Dance Wiv Me is a fucking nightmare on paper, and the ill-considered 2 bars of discordant duet in Bonkers just proves beyond doubt what we’ve known since the horror of Dream: the dude can’t sing for shit. It’s the snippet of studio chatter in that very song (“How am I gonna pull this off? This is too sensible for me man”), that shows the root of Dizzee’s genius: he doesn’t take himself too seriously.


The very title of Tongue N Cheek hammers home this point, and this excuses the album’s ills, the worst of which is the fact that Road Rage is just a substandard version of Pussyole. It’s also this that helps him dodge the usual bullet of third and fourth albums, namely that by the time an artist gets to this point in their career they have no real relatable problems any more, and not many of their poor listeners want to hear about an overabundance of guns, bitches and bling. Their lives are too comfortable for them to make the serious music they want to make (case in point: Oasis).


Dizzee recognizes this and instead of pretending (like Akon) or flaunting (50 Cent) he’s either hilarious or humble. In Bonkers he claims that “all [he cares] about is sex and violence”, and Dance Wiv Me spells out a situation in which he has to coax a girl away from her boyfriend to grind with him, which is the complete opposite of the ‘dripping in bitches’ attitude we’re so used to.


On Tongue N Cheek Dizzee is just enjoying himself, and it shows. Can’t Tek No More is fucking brilliant, poking fun at the British culture of complaint by listing minor everyday annoyances (“It’s a crowded house and you can’t have fun ‘cos when you have sex they can hear when you come”), Chillin Wiv Da Man Dem and Bad Behaviour belie the pure joy of performing that was so evident on his last Jools Holland appearance.


It’s so, so obvious that since hitting his mid-twenties Dizzee’s become more comfortable financially, musically and personally, and instead of producing a trite album of bullshit he’s somehow managed to pull out 12 tracks of fun.


Fuck man, the guy’s just enjoying himself. Don’t we need more of that in music?

Bleeding Ears’ Alternative 106 Top Female Songs

So last week we told you about Hummingbird’s declaration of war against women; the spectacularly shocking “100 Hottest Female Songs” list. In short, it was bullshit.


Here’s the remedy to that stack of arse:


Bleeding Ears’ Alternative 106 Top Female Songs
(we couldn’t decide)


This list celebrates the most inspiring, innovative and creative music created by or featuring women in the last few decades. We’re not saying its comprehensive, and we’re not saying it perfect…its just pretty damn awesome.


The genres of amazing music differ so greatly that trying to place these songs in any competitive order would be like trying to judge between slippers or a sweater…just plain stupid.


1. 4 Non-BlondesWhat’s Up
2. 5.6.7.8’sWoo Hoo
3. Annie Lennox – Walking on Broken Glass
4. Amy WinehouseBack to Black
5. Amy Winehouse – Tears Dry on their Own
6. Aretha FranklinRespect
7. Bat For LashesWhat’s a Girl To Do?
8. Big Brother and the Holding CompanyPiece of my Heart
9. Bikini KillFalse Start
10. BjorkInnocence

The insatiable Bjork

The insatiable Bjork


11. Bjork – Declare Independence
12. Bjork – Play Dead
13. BlondieCall Me
14. Blondie – Heart of Glass
15. Blondie – Rapture
16. Candi Staton feat. The Source – You Got The Love
17. CSSMusic is my Hot Hot Sex
18. CardigansErase / Rewind
19. The CranberriesZombie
20. Christina AguileraCandyman

One of the few voices that gives even women hard-ons - Christina

One of the few voices that gives even women hard-ons - Christina


21. Christina Aguilera – Slow Down Baby
22. Courtney LoveMono
23. Crystal CastlesCourtship Date
24. The Detroit CobrasHey Sailor
25. The DistillersCity of Angels
26. The Distillers – Coral Fang
27. DivinylsI Touch Myself
28. Dolly Parton9-5
29. Dolly Parton – Jolene
30. Dresden DollsGirl Anachronism

Dresden Dolls - never ones for conventionalism

Dresden Dolls - never ones for conventionalism


31. Dusty SpringfieldAnyone Who Had a Heart
32. Dusty Springfield – Son of a Preacher Man
33. ElasticaConnection
34. Eva CassidySomewhere Over The Rainbow
35. FaithlessReverence
36. Fleetwood MacOh Well Part 1
37. Fleetwood Mac – Black Magic Woman
38. Florence and the MachineDog Days Are Over
39. Florence and the Machine – Kiss With a Fist
40. GarbageSex is Not the Enemy

Power to the Scots! Garbage

Power to the Scots! Garbage


41. Garbage – My Lover’s Box
42. Girls Aloud - Something Kinda Ooh (shut it, it’s brilliant)
43. Gloria JonesTainted Love
44. GoldfrappStrict Machine
45. The GossipStanding in the Way of Control
46. HoleBoys on the Radio
47. Hole – Celebrity Skin
48. Ike and Tina TurnerNutbush City Limits
49. Janis JoplinMaybe
50. Joan Jett and the BlackheartsI Hate Myself For Loving You

The ageless Joan Jett

The ageless Joan Jett


51. Joni MitchellMy Old Man
52. Kate BushRunning Up That Hill
53. Kate Bush – Under Ice
54. Kate Bush – Wuthering Heights
55. Kidney ThievesBefore I’m Dead
56. L7Shit List
57. LadyhawkeMagic
58. Ladyhawke – Paris is Burning
59. LadytronSeventeen
60. Ladytron – Sugar

Sexy synth sounds with Ladytron

Sexy synth sounds with Ladytron


61. Le TigreLet’s Run
62. Lykke LiMy
63. Madeleine PeyrouxDon’t Wait Too Long
64. Madeleine Peyroux – J’ai Deux Amours
65. MadonnaLike A Prayer
66. Madonna – Ray of Light
67. Martha Reeves and the VandellasHeatwave
68. Melissa auf der MaurTaste You
69. MetricMonster Hospital
70. Nancy SinatraBang Bang (My Baby Shot Me Down)

The better of the Sinatras....Nancy

The better of the Sinatras....Nancy


71. Nina SimoneDon’t Let Me Be Misunderstood
72. Nina Simone – To Be Young, Gifted and Black
73. No DoubtSunday morning
74. NoisettesDon’t Give Up
75. PeachesFuck The Pain Away
76. Peaches – Talk To Me
77. The Pipettes Pull Shapes
78. PixiesCactus
79. Pixies – Velouria
80. PJ HarveyBig Exit

Ms Harvey...no introduction needed

Ms Harvey...no introduction needed


81. The Pogues with Kirsty MacCollFairytale of New York
82. PortisheadGlory Box
83. Portishead – Roads
84. Portishead – Seven Months
85. The RaincoatsNo One’s Little Girl
86. Regina SpektorEet
87. Regina Spektor – On the Radio
88. Roxy SaintFirecracker
89. SantigoldL.E.S. Artistes
90. School of Seven BellsWired for Light

School Of Seven Bells

School Of Seven Bells


91. Shonen KnifeButterfly Boy
92. Sister BlissSister Sister
93. Skunk AnansieIntellectualise My Blackness
94. Skunk Anansie – Weak
95. Sleater-KinneyGod Is A Number
96. Sneaker Pimps6 Underground
97. Sonic YouthSugar Kane
98. The SoundsTony the Beat
99. The SubwaysI Want To Hear What You Have Got To Say
100. The Subways – Rock N Roll Queen

Explosive garage rock from the Subways

Explosive garage rock from the Subways


101. Tegan and Sara Back In Your Head
102. Tidy Girls: Anne SavageI Need A Man
103. The Velvet Underground and NicoAll Tomorrow’s Parties
104. The WhipTrash
105. Yeah Yeah YeahsBlack Tongue
106. The ZutonsConfusion


Agree? Disagree?
Rant away my friends!

Homebake @ Domain, Sydney, Dec 5

Homebake is apparently a bit of a Sydney institution, or so I’m lead to believe by the numbers of people wearing home-made “15 YEARS OF GETTING BAKED” shirts. It took me a couple of hours to realize they weren’t just bragging about weed consumption.


It’s a pretty sweet deal on paper; beginning of summer, middle of the gorgeous city, tons of people just heading out under the sun to watch their favourite Aussie bands. However, therein lies the problem; its just Aussie bands. Do they really have enough bands to fill a whole day when the Presets aren’t playing and AC/DC are long gone?


Well, as it turns out, they kind of do. It’s not the kind of quality line up you’d expect from bigger festivals like Leeds or Sziget, but the mood of the day and the beauty of the setting more than makes up for that.


The sniffer dogs going for your crotch as soon as you enter the gate are a little disconcerting, but I spy a Hare Krishna food stall and I am as happy as a pig who’s not being eaten.


Once my stomach is happily full, we head over to one of the smaller stages to see Sydney boys Dappled Cities. I’m not holding out much hope as they are on so early in the day but they surprise me with an excellent mix of melody and punchy, harder bass. The same can’t be said of Short Stack. In fact, my mum taught me that if I had nothing nice to say I should say nothing at all, but then again I’ve never really listened to her so I will say this: not only did the singer actually use the phrase “rock out with your cock out” (which scores a spectacular 11 on the cunt-o-meter), the band have crap hair, the singer can’t sing and has one of the most annoying faux-American accents I’ve ever heard.


Going from the most staid of clichés to the most random of acts, I wandered to the tent and came across a band I knew literally nothing about; the Bumblebeez. My train of thought upon entering the tent went like this: Is that a rabbit’s head on that stand? Is that the rabbit’s head from Donnie Darko? Are those guys wearing rabbit heads? What the fuck is this music?


Do I like it?


I think I like it.


It’s an unfathomable sort of mesh of funky electro and just plain noise. I could spend an hour writing this paragraph and not really convey what’s going on. There is a cute girl singer and three rabbit-headed humans on stage, spinning, singing and dancing. It’s meaningless but somehow addictive electro babble, an exercise in pushing the limits of musical tolerance…and its all the better for it. The best I could do for you is to name drop the Beastie Boys and Crystal Castles, but then that conjures up images that detract from the real deal. It was like a fucking hallucination.


Bridezilla are trying to be a hallucination, and I kind of wish they were. These four women with a guy drummer could not move about the stage any less if they were glued to it with guilt. I can tell that they’re trying to create some sort of ethereal substance to their show, but it isn’t quite working; they need to being some warmth, or at the very least, a sense of band unity, to their icy show to take the edge of their performance.


Paul Dempsey of Something For Kate fame draws a fairly hefty crowd but, much to the chagrin of the audience, plays a lackluster set that belies his former glory. Eskimo Joe on the other hand do not disappoint, even for someone like me who’s only had a passing acquaintance with them. Powerful vocals and a great balance of sound excuses the fact that they throw in a few random lines of Roxanne (yes, the Roxanne by the Police), and the fact that the guitarist has a ‘percussion-off’ with the drummer is more than entertaining.


Another Aussie fave who’s lost to the rest of the world is Sia, the talks-like-a-bogan-but-sings-like-a-bird Adelaide chick with the amazing giggle. I’m not usually down with female solo artists as such, but its hard not to be drawn in by her endearing personality. She pledges to wear anything thrown on stage, and ends up wearing a lanyard, a visor, a pair of socks and with a stuffed pig stuffed under her dress. It’s easy to see that everyone loves her; she even gets an invite to breakfast thrown on stage in a bottle, bringing on another one of those brilliant laughs. It makes me want to have breakfast with her.


Then comes one of the most stereotypical Australian experiences I could ever wish to have. Tim Finn, from Crowded House, strides onto one of the smaller stages, tucked away in a little niche where everyone seems a little older but none the wiser, and precedes to play a song with one of the worst hooks ever: “Can I have another piece of chocolate cake…like Obama’s got a lot on his plate.” WTF Tim, WTF?


But quite frankly I don’t care, because this follows: I look up from my place on the grass and see that the sun is going down. I look straight up above my head and see bats taking flight from the trees and filling the purple sky. I look to my right and see the skyscrapers of the Sydney skyline, and all the while Aussies are singing along with me to superhit ‘Weather With You’. It seems a bit too Aussie to be true.


This is ruined slightly by the subsequent old man crotch thrusting along to ‘6 Months in a Leaky Boat’, but what are you going to do?


Nothing going to top that – not the great instrumentational layering of Sarah Blasko’s musicians, not the fact that one of her violinists looks like Eric Clapton, and certainly not the bland dickishness of headliners Powderfinger. How these guys got so famous is beyond me; there’s nothing distinguishing them from a dozen other mediocre, insipid bands just looking for kudos, and the singer has the voice of Robbie Williams.


That doesn’t matter though – nothing really does after such a wicked day. I sang along to Crowded House today Mum - are you proud?